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Surfacing

Surfacing (1997) more music like this

by Sarah McLachlan

Surfacing was released as the first Lilith Fair tour hit the road, and Sarah McLachlan benefited enormously from the timing. As the organizer of Lilith Fair, McLachlan was on the cover of magazines across America and Canada, which helped Surfacing debut at number two on the U.S. charts -- a particularly remarkable feat since its predecessor, ...

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Wintersong

Wintersong (2006) more music like this

by Sarah McLachlan

Because no artist's career is truly complete without a holiday album, Sarah McLachlan took yet another step toward establishing her place in sentimental adult contemporary radio history with Wintersong. For the most part, the singer chooses the darker, more melancholic, and "wintry" pieces to cover (there's no "Joy to the World" or "Angels We Have ...

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Mirrorball

Mirrorball (1999) more music like this

by Sarah McLachlan

Released at the front end of 1999's Lilith Fair, Mirrorball is a take-home sampler of the live performances that catapulted Sarah McLachlan into the modern rock stratosphere. Over half of the album's 14 songs are radio hits (including four of the first five), proving McLachlan's worth as a pop songstress bar none, but also hinting at an underlying ...

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Fumbling Towards Ecstasy

Fumbling Towards Ecstasy (1993) more music like this

by Sarah McLachlan

Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice -- and evident disciple -- of Daniel Lanois) with some of McLachlan's strongest songwriting to ...

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Afterglow

Afterglow (2003) more music like this

by Sarah McLachlan

During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired ...

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Solace

Solace (1991) more music like this

by Sarah McLachlan

Solace is at once comforting, mysterious, expansive, timeless, and familiar. The sophomore jinx was certainly eluded here, as McLachlan sets forth a superior collection of songs and performances with the help of longtime producer Pierre Marchand. The opening track, "Drawn to the Rhythm," serves its title well and does the job of luring you in. ...

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Lilith Fair: A Celebration of Women in Music

Lilith Fair: A Celebration of Women in Music (1998) more music like this

by Various Artists

Sarah McLachlan unexpectedly hit the financial jackpot when she launched Lilith Fair in 1997. McLachlan conceived the package tour as a way to spotlight female musicians, particularly those that were from either the alt-pop or folk genres. It worked better than anyone expected, as Lilith Fair became the hippest and most successful package tour of ...

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No Alternative

No Alternative (1993) more music like this

by Various Artists

A mixture of B-sides, outtakes, live tracks, and newly recorded songs, No Alternative was the most successful benefit album of 1993, both commercially and artistically. Exceptional songs from Nirvana, Bob Mould, Urge Overkill, Smashing Pumpkins, American Music Club, and Pavement enhance fine outtakes from Buffalo Tom and Matthew Sweet, strengthen ...

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Afterglow Live

Afterglow Live (2004) more music like this

by Sarah McLachlan

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Rarities, B-Sides & Other Stuff [1996]

Rarities, B-Sides & Other Stuff [1996] (1996) more music like this

by Sarah McLachlan

In the time it took her to release her first three proper albums, Sarah McLachlan put out nearly as much music as B-sides, singles, or stray tracks for compilations and soundtracks, leaving no easy job for fans wanting her entire output. Rarities, B-Sides & Other Stuff collects 13 of these non-album tracks, including "I Will Remember You" from the ...

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Lilith Fair, Vol. 3 (1999) more music like this

by Various Artists

As the second half of the two-part sequel to the first Lilith Fair souvenir, Lilith Fair, Vol. 3 may seem like an afterthought, but it's arguably the best of the series so far. Like its sister compilation, Lilith Fair, Vol. 2, Vol. 3 features songs from 14 different artists from the 1998 tour. Through design, this collection features many of the ...

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Lilith Fair, Vol. 2 (1999) more music like this

by Various Artists

The souvenir soundtrack from the first Lilith Fair tour was a weighty double-disc set that attempted to capture the epic scope of the traveling festival. The second Lilith Fair -- which roamed the U.S. in 1998 -- was a little more carefully constructed, as Sarah McLachlan and her colleagues knew their demographic and expertly fulfilled their ...

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The Freedom Sessions (1995) more music like this

by Sarah McLachlan

A nice companion piece to Fumbling Towards Ecstasy, The Freedom Sessions offers seven early versions of songs from that album in a more stripped-down form. Also included is a cover of Tom Waits' "Ol' 55." Chris Woodstra, All Music Guide

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Totally Hits, Vol. 2 (2000) more music like this

by Various Artists

Totally Hits, Vol. 2 collects more chart-topping singles, including Santana's "Maria Maria," Whitney Houston's "My Love Is Your Love," TLC's "Unpretty," Sugar Ray's "Falls Apart," and Sarah McLachlan's "I Will Remember You." Songs from Missy Elliot, LFO, 'N Sync, Lou Bega, and Christina Aguilera complete this entertaining but somewhat scattered ...

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Totally Hits (1999) more music like this

by Various Artists

Totally Hits collects an array of totally contemporary chart-toppers from artists like TLC, Monica, Sugar Ray, and 'N Sync. Tracks from Madonna, Barenaked Ladies, Third Eye Blind, Whitney Houston, Brandy, and Faith Hill complete this concise look at pop hits of the late '90s. Heather Phares, All Music Guide

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Totally Dance (2001) more music like this

by Various Artists

You won't find a better collection of 2000's most popular dance tunes than Totally Dance. You get nothing but the most well-known songs: stuff like Moby's "South Side" and Darude's "Sandstorm" rather than anything pretentious, artsy, overly creative, or "underground." This will probably disappoint most seasoned electronica disciples, but this isn ...

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Touch (1989) more music like this

by Sarah McLachlan

A largely forgotten album in the wake of Sarah McLachlan's mainstream success, Touch was the first album anyone heard from the singer. Only 19 at the time, McLachlan had years to go before she would become the seductive songstress of Fumbling Towards Ecstacy or the sensitive balladeer of Surfacing. Instead, she has more of an ethereal sound, ...

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Remixed [2003 Arista] (2003) more music like this

by Sarah McLachlan

Certainly not the style of music McLachlan is known for, but Remixed is an album that will reach a new audience demographic that can at the very least appreciate her gorgeous voice, while serving as a continuing showcase for popular remixers and DJs now playing at a club near you. Once McLachlan's vocals are introduced to these generic trance ...

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A Testimonial Dinner: The Songs of XTC (1995) more music like this

by Various Artists

Though most tribute albums aren't worth the cost of the packaging, A Testimonial Dinner deserves a listen simply because the artists involved appear to have been selected more for their love of XTC than for their MTV appeal. Spacehog's take on "Senses Working Overtime" captures the perky but warped pop sensibilities perfectly, while Sarah ...

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Bloom: Remix Album (2005) more music like this

by Sarah McLachlan

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Women & Songs [WEA] (1998) more music like this

by Various Artists

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Fallen/Stupid [DVD Single] (2004) more music like this

by Sarah McLachlan

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Mirrorball: The Complete Concert (2006) more music like this

by Sarah McLachlan

Sarah McLachlan's 1999 Mirrorball, her first ever live album, showed off the singer in the prime of career, when her popularity both as an artist and as the organizer of Lilith Fair had made her a star. And while that record was good, and exposed the talents of McLachlan's powerful, clear voice and the strength of her band, it generally stuck to ...

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Live Acoustic [EP] (2004) more music like this

by Sarah McLachlan

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Hold On (1994) more music like this

by Sarah McLachlan

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